"Danzig 2: Lucifuge" (1990) . This is my favorite Danzig solo effort of all time. Anybody familiar with his work with The Misfits and Samhain will know that his solo material is good but not up to par with his early stuff. This album, however, is an exception.
Everything you love about Danzig is here. The dark, horror inspired lyrics and his incredible Elvis meets Jim Morrison voice. The difference is, instead of drawing on punk and goth, he draws on the blues and '70's blues rock. This album is every bit as potent and energetic as any of his work with Samhain or The Misfits.
The song writing is incredible. There's straight blues ("Killer Wolf" and" I'm the One"), a 1950's crooner ("Blood and Tears"), early AC/DC libido driven blues rock ("Devil's Plaything"), and just pure campy shock fests ("Long Way Back From Hell" and "Snakes of Christ"). The production by Rick Rubin is top notch. It brings to mind the same retro feel as The Cult's "Electric".
If you've ever had any doubts about Danzig's solo material give this one a try. You won't be disappointed.
Here's "Devil's Plaything" and "Killer Wolf".
Everything you love about Danzig is here. The dark, horror inspired lyrics and his incredible Elvis meets Jim Morrison voice. The difference is, instead of drawing on punk and goth, he draws on the blues and '70's blues rock. This album is every bit as potent and energetic as any of his work with Samhain or The Misfits.
The song writing is incredible. There's straight blues ("Killer Wolf" and" I'm the One"), a 1950's crooner ("Blood and Tears"), early AC/DC libido driven blues rock ("Devil's Plaything"), and just pure campy shock fests ("Long Way Back From Hell" and "Snakes of Christ"). The production by Rick Rubin is top notch. It brings to mind the same retro feel as The Cult's "Electric".
If you've ever had any doubts about Danzig's solo material give this one a try. You won't be disappointed.
Here's "Devil's Plaything" and "Killer Wolf".
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